Although the phrase “I have to return some videotapes” has since passed into digital-age incoherence, everything else about American Psycho is just as fresh 20 years on. After being passed on by everyone from Oliver Stone to Stuart Gordon, the task of adapting Bret Easton Ellis’ infamous 1991 novel eventually fell to Mary Harron, a longtime writer for Punk magazine who broke into filmmaking with 1996’s I Shot Andy Warhol, and Guinevere Turner, an actress and screenwriter of the 1994 lesbian romantic comedy Go Fish. Together, they reframed the ultraviolent story of Wall Street psychopath Patrick Bateman as an absurdist comedy of manners, deftly underlining the both the ridiculousness and the cruelty of ’80s “greed is good” culture—and indeed, of masculinity itself.
In the decades since its release in theaters on April 14, 2000, American Psycho has become a cult classic, both misinterpreted as a glorification of its deranged protagonist and better understood as a feminist critique of the interwoven nature of misogyny, entitlement, and violence. The actor who played Patrick Bateman, Christian Bale, went on to lose the “e” as Christopher Nolan’s Batman before winning an Oscar for his role as real-life villain Dick Cheney in 2018’s Vice. Harron and Turner have continued to work together, collaborating on the biopic The Notorious Bettie Page (2005) and the Manson Family drama Charlie Says (2019). And the ’80s’ worst excesses have been eclipsed by a new, avaricious era of political piracy that even Patrick Bateman might have found just a tad excessive.
On the eve of the film’s anniversary, we asked Harron what American Psycho can tell us about the Trump era, as well as the controversy surrounding the novel, her approach to filming nudity and violence, and how much she enjoys memes based on the film.
The A.V. Club: Rewatching the film, I couldn’t help but think of Donald Trump’s comment that he could stand in the middle of Fifth Avenue and shoot someone and not lose any voters.
Mary Harron: Yes, absolutely.
AVC: It does seem that we are living in a similar era to the ’80s in terms of sociopathic Wall Street greed.
MH: At the time [it came out], people who didn’t like the film or were dismissive of it were saying, “Oh, well, we knew all that about the ’80s.” But to me, it was never just about the ’80s. It was about American vulture capitalism—and not just American, really. Bateman is the embodiment of everything that’s wrong with [this system], all the worst and craziest forces—obsession with surfaces, obsession with status, obsession with acquisition. And then the frustration and violence—all of those things.
So it might’ve seemed like that was a past era, but we’ve never really left that era. I think the only thing that happened is people got better at covering it up, paying lip service to feminism or whatever. My older daughter’s 22, and when she watched the movie, her favorite scene was when they’re all at dinner in the sushi restaurant and Bateman’s just blathering these liberal platitudes about what we have to do in society. She was like, “yes, that’s what people do. It means nothing.” Now, with people like Bateman, it’s more likely that you’ll get them paying lip service to ideas about gender equality or racial equality, but they won’t mean it. People cover things more now. It’s not as naked. The ’80s was a very naked time in terms of greed and exploitation.
And then I think the last two years have been even worse in a lot of ways. It’s a real gilded age, the stock market’s boomed so much and then politically things have shifted to the right. It’s been quite astonishing.
AVC: That’s something that I think has really come to light in the past few years—how many men say they’re feminists, but their personal behavior doesn’t reflect that at all.
MH: In the film and the book—in the style of the book—it’s part of his mask. It’s a part of the fact that he doesn’t have a core set of beliefs, really. He has impulses or desires, but he doesn’t have an ideology of what he wants. So he’s happy to adopt whatever as camouflage.
AVC: Did you read the book before you took on the project?
MH: Yes, I read the book whenever it came out in London, because I was working in London then—I believe it was 1991. And then in ’96, after [I Shot Andy Warhol] came out at Sundance, I got asked to do [the film]. They had a couple of scripts, but I said, “I can only do this if I write my own script.” I wanted to write with someone, and Guinevere [Turner] and I were already working on a couple of scripts, so I asked her to come join me.
AVC: What was your reaction to the book when you first read it? I know a lot of people were violently opposed to it.
MH: When I first started reading it, I thought, “Oh, this is funny. I mean, this is really funny. This is very dark satire.” And no one, in all the attacks or any of the coverage of it, said it was funny. That’s the best thing about it, the dark social stuff. The violence—I had to stop reading it for a month when it got to the terrible scene with Bethany, the really bad torture scene. I just thought, “I can’t read this.” And then after a month it was still there on my bedside table, so I went back to it, and then there was nothing as bad as that [in the rest of the book].
It’s very interesting, because it’s very existential. It’s such a lost, bleak character that reflects New York in a lot of ways. And it’s almost an experimental work of fiction, because it changes from first person to third person. It’s very abstract. Sometimes it’s a comedy. I mean, it’s just a strange book. The violence was not my favorite aspect of it at all. That wasn’t what I thought was interesting about it.
And when we went to adapt it, [Guinevere and I] saw the book in the same way in that we found a lot of funny. It was considered this terrible misogynist work, but I thought that Bret [Easton Ellis] had a gay man’s analysis of straight male behavior. He saw the absurdity of these straight male Wall Street rituals, and that was very much a kind of subversion to me and Guinevere.
AVC: You referenced Bret Easton Ellis having a gay man’s perspective on the material—did you think was important to have your perspective on it? Is that why you wanted to write your own script?
MH: I mean, the scripts they had were funny, and kind of interesting, but it wasn’t right. It wasn’t what I wanted to do with it. The tone is so important, and I wanted to be in control of that. And I didn’t think that anybody else had really gotten the comedy right. That was so important to me. It had to be very subtle. In fact, it’s so subtle that I think the first time around, a lot of people didn’t realize it was supposed to be funny. I often have this problem. I’m like, “I think it’s funny,” and everyone else is like “Ehhhh…” [Laughs.]
And it had to be kind of delicate, you know? That is, except for the more obviously funny things, like the Paul Allen murder scene that’s always on the internet. Those are more clearly absurdist set pieces.
AVC: How do you feel when you see those kinds of things online?
MH: It’s a great compliment. Some of them are really good. There was just one about toilet paper that’s was really fun, since it’s at such a premium with the Corona virus. That one’s extremely well done, I don’t know how they did Christian’s voice so well. And there was a wonderful Dutch jeans commercial that was all about denim and coffee. It was hipster, it was hilarious. So I say, great! Thank you. You’ve made the world a better place.
AVC: You have asserted, and I agree, that this is a feminist film. Was that something that you were actively trying to do in the adaptation, or did it flow naturally from your point of view?
MH: I think it just flowed from our point of view. I don’t think in Guinevere’s or my work, we don’t ever try to teach moral lessons, or even political ones, particularly—at least, not in an overt way. I think it’s more just the attitude you take. If you’re a woman, you have certain attitudes. And if you just do what you find interesting and don’t bow to anyone else’s view of how you should do it, [your work] will probably have a feminist character. But in this case, I knew that I was taking on something very difficult, very controversial.
I had just come off of I Shot Andy Warhol, which is about a radical feminist, and Guinevere had just done Go Fish, the lesbian romantic comedy. So we were like, “No one can tell us what’s feminist and not feminist. We’ll make up our own minds.” We didn’t feel like we had to worry or be timid about it, because our position was strong. I think that if a guy had done it, he would’ve been in a much more difficult position that way.
The other thing that Guinevere and I brought that isn’t always noticed is that we didn’t think Bateman was cool, and we didn’t think the sex scenes were sexy. They weren’t erotic in any way. They were, to us, ridiculous, and that was something that Christian shared. He also found Bateman ridiculous, and he brought this third aspect to the character, a dorky aspect that all three of us were working towards. Bateman isn’t someone that you would want to be—don’t ask me why the movie is so popular among Wall Street guys. It’s like, “Really? Okay…”
AVC: Lack of self-awareness, maybe.
MH: Yeah, or maybe they have a sense of humor. My brother-in-law was working on Wall Street [at one point], and he loved it, because he said, “Oh, I know so many of those guys. I recognize those guys.” Maybe they think it’s funny, because they’re close to that world.
One thing I loved was that these [Wall Street executives] have this competitiveness. In the SCUM Manifesto, Valerie Solanas has a whole section on how a lot of the qualities that men negatively associate with women—vanity, competitiveness, gossip—are really male. [Laughs.] And these men are behaving like a stereotype of teenage girls. They’re so competitive, and they’re obsessed with their appearance and status.
AVC: You mentioned the sex scenes in the movie, and we talked earlier about the violence in the book. The film is very judicious about when it shows nudity or violence, and when it doesn’t. How did you decide what to show and when?
MH: Some of that you just decide on set. But I decided early on that there should actually be quite little overt violence, that it should be suggested—until the very end, when there should be a big explosion of violence. That’s when Bateman murders Christy the society girl, the character played by Guinevere. I felt like you can’t keep teasing. You can’t keep pulling punches all the time. You have to have an explosion of violence at the end, because that’s what it’s all leading up to.
I know you’re not supposed to mention him [positively] anymore, but I was very influenced by Roman Polanski. Polanski’s the master of suggested violence and the buildup of tension. And Alfred Hitchcock—another person with unfortunate attitudes towards women and personal behavior. But as a kid, I was very, very taken with Hitchcock and the way he pulled back. I have no objection to horror at all, but I’m not really a horror person. Psychological thrillers are more what I go for, and I’ve always loved films where things were frightening because they were suggested. Peeping Tom, that’s another great one.
At the same time, because it is [a movie] about violence and it is about a mass murderer, you have certain expectations. But even in that final scene, it doesn’t show that much.
AVC: There are lots of movies, particularly horror movies, where the gore is the centerpiece. Not to put a value judgement on it, but this movie isn’t really like that.
MH: No. I’ve done a bit more of that in my more recent stuff, and it’s fine, but it’s a lot of prosthetics and special effects. We didn’t have much of that on this film. There was almost nothing in terms of creating wounds, or anything like that.
The biggest fight I had—people thought this was a crazy idea—was that I said, “I want [Cara Seymour’s character] at the bottom of the staircase, and the chainsaw to spin down and pierce her body.” And everyone said, “well, it wouldn’t happen like that. That’s not realistic.” The DP said it would look terrible, and I said, “no, that’s what we should do.” Even though it wasn’t realistic, even though it wouldn’t have happened like that in real life, sometimes that doesn’t matter if it’s the right image.
AVC: Well, there’s a lot open to interpretation. I’ve heard some people argue that there’s ambiguity as to whether the murders even happen. Do you agree with that?
MH: We never thought that none of the murders happened. I don’t think that everything happened, but that’s for people to decide for themselves.
I didn’t write the book, so I feel like I was interpreting it as much as anyone else. If somebody says that it’s all in his head, and that makes the movie for them, that’s fine. And I don’t think Bret would ever say one way or the other.
AVC: When this film came out, it was was unusual for a male actor to do the kind of nude scenes Christian Bale does in American Psycho. How do you feel about the concept of equalizing nudity, so it’s both men and women?
MH: I thought that was important. And I liked the idea that that Bateman would be nude, and the girls would not be in their underwear. I thought that was a nice reversal. And also it’s really funny, because in the big climax, you say Christian’s nude, but he’s wearing sneakers. [Laughs.]
AVC: Yeah, that’s true!
MH: So is that entirely nude, then? We all thought that was hilarious. And Christian was very casually hanging around the monitor, looking at it wearing just his sock, covered in blood. I have a photograph somewhere, a Polaroid somebody took. But we were all pretty relaxed about that stuff [on set].
AVC: You mentioned the Paul Allen murder scene—the way that it’s staged is so fun. Is there anything in particular you remember about shooting it?
MH: When we were rehearsing that scene, I remember Christian saying to me, “I think I want to moonwalk.” And then when he did it, I just fell off my chair laughing, I thought it was so funny and absurd. So that was something he came up with, to walk out like that.
Visually, there were a couple of things that really came together. One is that the script had a screen direction to cover the floor with newspaper, and when I got there, the art department had set down this unbelievably elaborate, fetishistic sort of jigsaw puzzle made out of newspaper. I thought it was perfect, because Bateman was very OCD and he would do this to be excessively neat.
I remember shooting certain things from Jared Leto’s [who played Paul Allen] point of view, shooting from where he’s sitting and you look back. There are some shots Jared can’t see, because he’s got his back to Christian. But you see from his point of view Christian walking through the kitchen with this axe and the crazy see-through raincoat that the costume designer had come up with at the very last minute. That apartment was very good to shoot in, it had great angles. It felt good. It just came together.
AVC: You talked about shooting the murders from the victims’ point of view. That reminds me of your film Charlie Says, which reframes an infamous real-life crime, the Manson murders, from the point of view of the women involved. Would you say that’s a theme in your work?
MH: With American Psycho in particular, it was very important to look at it from the victims’ point of view, because I didn’t want the murders to be exciting or thrilling in a traditional kind of way, which is very easy to do. Because if the camera is from the murderer’s point of view, then in a way you want them to be killed, you can’t help it. You’re taking on the mindset of the pursuer, and I wanted to take on the mindset of the hunted, the victim. We’re trying to get away from him. That was very important.
In Charlie Says, I was going back and back and forth, because, again, that is also a movie where it just has a climactic explosion of violence at the very end. And then with the LaBicana murder, I wanted very much to be in Leslie Van Houten’s head, and go step by step with her to see what happened for her to commit this [crime]. She’s the observer of this violence, and then she tbecomes a perpetrator. But I wanted to make the victims real. So we added a little scene where you see Mr. and Mrs. LaBianca just hanging out, just nice people in their house. I wanted to give them a reality.
I want the victims to have some reality, even when, as in Charlie Says, you’re mainly staying with the perpetrator. You don’t want them to be faceless, or to have no impact.
American Psycho is currently streaming on Cinemax, and is available as a digital rental from major online retailers.
How Las Vegas became the world’s casino capital
These days, it’s impossible to think of Las Vegas without the image of the lights on the strip and glamorous casinos coming to mind. But the Vegas we know of 2020 wasn’t always that way; and it took a long, long time to get its reputation for being the world’s casino capital. Let’s take a trip down memory lane and get to the root of how Las Vegas became the city that never sleeps.
A historical journey
It’s hard to believe these days, but the Las Vegas region was once an abundant marshland stock full of rich vegetation. That is, until the marsh receded, and the waters disappeared, transforming the landscape into a desert, with the trapped water underground sprouting life and forming an oasis.
It was during the 19th century that the explorer Antonio Armijo from Mexico foraged the way from New Mexico to California on the first commercial caravan. It was a member of the group, Rafael Rivera who rode west to find water and venture through the desert, setting his eyes upon Las Vegas Springs. Las Vegas was therefore named ‘the meadows’ after the grasses found growing there.
Years went on and both Mormon and Mexican settlers began to filter through. In 1890 it was decided by railroad developers that Las Vegas would serve as a spot along the San Pedro, Salt Lake City and Los Angeles railroad route as well as connecting to major cities along the Pacific Coast. From there on, Vegas boomed with stores, boarding houses and saloons popping up around the area. This was the beginning of the Las Vegas as we know it — with railroad workers and ranchers enjoying the gambling and drinking through illegal speakeasies and bootleg casinos operating despite the ban on gambling in Nevada in 1910.
In 1931 gambling once again became legal in the state, with new casinos and showgirl venues opening up along Fremont Street to entertain the thousands of workers who flocked the city during the construction of the Hoover Dam. The first hotel, El Rancho Vegas, opened up in 1941 along Highway 91. Its success inspired others to open up their own hotels along the highway which would one day become the strip. Tourists began to flock to the city over the next few decades to enjoy the casino scene and see incredible artists like Elvis Presley and Frank Sinatra perform.
The birth of the mega resort
It was in 1966 the businessman Howard Hughes purchased the Desert Inn hotel; this was followed by over a dozen more hotel purchases, pushing out the mobster-owned hotels that had previously dominated Las Vegas. The concept of the mega hotel came about in 1989 when Steve Wynn opened the Mirage as the first hotel resort in the city. By 1994, Las Vegas was the home of more than 86,000 hotel and motel rooms with 13 of the 20 largest mega resort hotels in the world. It was during this era that the Strip became populated with more hotels and casinos, with developments inspired by the iconic cities and countries of the globe including Egypt, Paris, New York and Rome.
Las Vegas in the 21st century
The Las Vegas of today is well and truly established as a home for entertainment and casinos — which remain the biggest source of income for the city. However, there’s no doubt that Vegas faces more competition than ever before from the virtual world, with more people than ever before opting to play at an online casino, rather than play in the old fashioned way, but Vegas will always have the advantage. For many, it’s a once in a lifetime trip that an online casino can’t replicate, but do the online equivalents help to increase interest in Vegas?
The bright lights of Vegas is attracting billions of dollars in investment as many try and get a slice of the revenue that the sector has to offer. During 2019 over 42.52 million people came to visit Las Vegas from all around the world. Domestically, it was shown to be the second most popular destination for U.S. traveller’s dream spots after New York.
These days, Las Vegas continues to thrive and be a source of entertainment for millions of visitors from around the world looking to experience what the city has to offer. With new generations becoming interested in casino games — and some incredible musical residencies continuing to be announced — Las Vegas surely will continue to be one best places to go for a unforgettable dream destination for many.
What can people find at some of the biggest land-based casinos in Canada? From Niagara Falls to Toronto, there is something for everyone at casinos in Canada, including table games, slots, roulette, blackjack, and other games. There are also many poker and blackjack tournaments held throughout the year and it is easy to find jackpots or slots with free spins at the casinos. Many casinos also have hotels, bars, and numerous restaurants which are perfect for players seeking some comfort. A relaxing casino experience for all ages can be found in many different places in Canada. Choose one from below.
Choosing a casino depends on your tastes and location within Canada. Do you want to experience the grandeur and splendour of nature while placing a bet? Then head to Niagara Falls. Do you want to see a show? Choose a casino with a show that will be perfect for you. If you are looking for pure relaxation, then check out some of the casinos with spas and world-class dining. Entertainment is also a large part of the casino experience in Canada. Musicians, bands, comedians, and other types of entertainment continue to be found at all of the biggest casinos.
Some Big Casinos Near Nature
Casino Niagara is located in one of the most beautiful places in Canada and the world. People from all around the globe come to experience the best of both worlds at Casino Niagara. Players have access to beauty and scenery while spending time at one of the biggest casinos in Canada. The casino has two floors with over 1200 slot machines, poker, and other table games. There are also many different restaurants and even a comedy club. The sports bar and casino was refurbished back in 2017, meaning that it has not lost any of its charm and shine.
ST Eugene Golf Resort: Casino of the Rockies is a golf and nature lovers’ paradise. The location could not be any more splendid. People can find the casino between the Rockies and Purcell Mountains. Furthermore, the casino has an interesting history after it was converted from an Indian Residential School. It was then opened in the early 2000s. St Eugene has table games, electronic roulette, baccarat, and blackjack. There is also a golf course, restaurant, bar, spa, and hotel that is highly rated in Canada. Overall games are limited so most people come for golfing and betting fun.
Caesars Windsor is famously located on the riverbank in Windsor, Ontario. Visitors from both Canada and the States frequent the casino and hotel. Players can see the Detroit and Michigan skyline from the area. There are two floors of slots, table games, and plenty of poker tables. Blackjack, baccarat, and roulette are also available at the casino. It has beautiful restaurants, a gym, bars, slots, and live sports. Check out the Titan 360™, a 10-foot tall slot machine with 5800 pounds of wins at the click of a button. It’s the largest slot machine in the world and great fun.
- Enjoy the size of Casino de Montreal and Hard Rock Casino
- Enjoy the big and beautiful Casino Niagara or ST Eugene Golf Resort
- Enjoy High Culture at Elements Casino Brantford
River Rock Casino Resort – In Transit
Are you passing through Vancouver Airport and have a long transit? Hire a cab and spend some time enjoying slot machines at River Rock Casino Resort. There are slots galore and the different themes make it an enjoyable visit for all. There is even a Dungeons and Dragons slot for gamers. A fourteen-table game room can be found at the casino and international poker tournaments are held regularly. Other features include a VIP area, spa, live music, 24-hour food and drink, as well as other entertainment. Richmond is also worth a quick visit, especially for some delicious seafood.
Casino de Montreal – The Big Gun
Casino de Montreal is 526,488 square feet of casino excitement. The casino has around 20 thousand visitors each day and is one of the biggest casinos on the globe. If you are still unconvinced about the size of the place, then imagine five floors of slots and table games. 3,000 machines and 111 table games make the casino seem even more mammoth. Casino de Montreal games can be played in a smoke-free environment and many players comment on the user-friendly games and helpful staff. Complimentary drinks and top-rated gourmet food is all part of the experience at Casino de Montreal.
Hard Rock Casino – Another Big One
Hard Rock Casino is another large casino located in Vancouver, British Columbia. The casino is over 80,000 square feet, making it a big one in Canada. Hard Rock has gaming tables, slots, baccarat and a poker room. The casino includes 70 casino tables and 1,000 slots. Private rooms and high roller areas are also available. However, the Hard Rock name is known for excellent food and this is what people love about this casino. Many players comment on the quality of the food here. It even has a 1,000 seat theatre, making it great for dining and a show.
Elements Casino Brantford – Enjoy High Culture
Elements Casino Brantford is a historical gem for culture in Ontario. It is a charity casino that was established last century. It includes the Sanderson Centre for the Performing Arts, which is a high society entertainment venue in Ontario. The centre is well known to performing arts enthusiasts in Ontario and Canada. Players come to see a show, enjoy some gourmet food and a game. The casino also has plenty of slots, table games, blackjack, baccarat, sic bo, three card poker, roulette, and other games. There is also a 14-table Texas Hold ‘Em poker room. Enjoy all the excitement.
River Cree Resort and Casino – Sports Lovers
River Cree Resort and Casino is a sport and gaming venue located in Edmonton that should not be overlooked. It has 39 tables of various money limits and over 1,000 slots. There are also a few different places to dine while enjoying a bet and other things to experience. There is a fitness centre, spa and a 200 room resort. However, the most interesting feature of this casino is the two hockey rinks, which are often used by the Edmonton Oilers for practice. It is possible to watch the team practice and go for a meal and some gaming fun.
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Top 8 Online Games That Kids Can Play Without Much Parental Supervision
The gaming industry has been quite widespread since its inception. With the advent of globalisation and technology, this industry is reaching new heights. Kids these days are more inclined to the internet than they are to books.
The internet has more information about everything than anywhere else and is very easily accessible. This further makes some parental control necessary. Most parents are worried about their kids playing violent video games that can further affect their mental health.
Nevertheless, you cannot stop a kid from finding ways to log in to the internet, nor can you keep them away from playing video games. You can always supervise them on their media consumption. But that also gets tiresome after a point. This is when it gets necessary for you to introduce them to games that are not only kid-friendly but are also of their liking.
If you are in a similar situation, looking for a way out, this article will surely help. Further mentioned are a few games that you can let your kid play while you concentrate on your work and well-being.
1. Gummy Drop
Finding games that you can let your kids play without supervision is quite a task. With games like Gummy Drop, you do not have to worry one bit. With beautiful graphics and interesting gameplay, it does not take long for your kid to get hooked to the game.
With new cities and interesting content being added almost every day, this 3 puzzle game is a good choice for your kids to play. It also connects to your Facebook account, letting you play with your other friends. It is also a nice way for your kids to improve their general knowledge and problem-solving skills.
If you were a fan of Pictionary when you were growing up, you should definitely introduce your kids to this game. While the rules of Pictionary remain the same, this game improves on the visual aspect. With all of their friends in the same server, your kid can easily get hooked to this game.
Easy and fun to play – once the server is set up, each player will get a word that they have to draw on the screen. The motive of the game is to help the other players guess your word. Each round chooses players at random. While it is advised that you use a tablet and a stylus to play this, you can always sketch with your finger.
3. Ludo Supreme
A classic in every sense of the word, online ludo needs no introduction. There are some new features that are added in the game version of this app. It lets you connect to your Paytm account and earn real money while playing the game.
Along with such amazing features, you can also play it for fun with your family or friends. It has other versions as well that come in different languages, especially in India, given the diverse nature of the country. You can download the LUDO for your android phones.
There is no doubt that Houseparty has been one of the most popular downloads this pandemic. This is a networking app that lets you add as many as seven friends and play different games face-to-face via video calls.
The novel approach of phone gaming made this a very widely chosen app. While playing games with your friends is always fun, this app lets you see and talk to them as well. Some of the most played games in this app include Heads Up!, Chips and Guac, Trivia and Quick Draw. With such amazing features and games, this is a worthwhile download for your kid.
Monopoly is a very interesting game, which you can get your kids. Along with being fun, it can be played by any age group and is always stimulating your brain. This board game is an all-time classic that is now available on mobile platforms.
The good thing about it being on the phone is that now your kids can play it with their friends as well, and all from the convenience of your home.
6. Rocket League
If you have ever wondered what it would be like to play soccer but with cars, this game is exactly that. You get to pick a car at the beginning of the game in an oversized field with an oversized ball. Then start the five-minute matches where you have to score goals against them.
To make it even more fun, this game allows the player to add up to three friends on the same server. It also has options where you can choose between casual play and ranked online play. Nevertheless, in both gameplays, you can earn new cosmetic looks for the car and get a chance to score more goals.
Another all-time classic, UNO has been a very celebrated game all these years. The original company of UNO came out with the online version that is available on both iOS and Android devices. Since they are the copyright holders, you already know, the gameplay cannot get any better than this.
Nevertheless, since it is a multiplayer game, you can play it both against your friends or strangers. It’s fun aesthetics, and new rules make it more interesting. It now has different modes of play and tournaments as well. You can also partner up and play 2v2 to win together. With servers available all around the world, you can connect to anyone you know.
8. Guess The Word
Very obvious from the name itself, this game is known to be one of the most popular downloads in this list. It not only helps your kids spend some unsupervised time with themselves but also ensures that they learn new things in the process.
The game contains different levels which get harder as your kid progresses, further making it more interesting and attractive. If you have some free time on your hands, you can also jump in and play with your kids.
So, these are the 8 games that kids of all ages can play without any tension. Above all, parents don’t have to panic or keep an eye on them all the time.