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Bartenders Recommend The Best ‘No Age Statement’ Whiskeys For Fall



Oftentimes, drinkers base the value of a particular bottle of whisk(e)y on the age statement located on the label. The older the age, the more nuanced, complex, and thereby expensive the whiskey. But while we’d never tell you not to hold on to hope that one day you’ll get a chance to try Hibiki 30 or Glenlivet 25-Year-Old, there are myriad whiskeys on the market without an age statement at all that definitely deserve your attention.

Sure, blended Scotches like Johnnie Walker, Famous Grouse, and Chivas don’t carry age statements and people don’t seem to mind. But we’re not talking about blended whisky today. That’s too easy. We’re talking about brands that have other expressions that do have age statements.

To find the best options, we once again turn to the experts. We asked a handful of bartenders to tell us their favorite no age statement whisk(e)ys to drink this fall.

Auchentoshan American Oak Single Malt Scotch Whisky

Marla White, lead bartender at Lona Cocina & Tequilera in For Lauderdale, Florida

Auchentoshan American Oak Single Malt Scotch Whisky is matured and stored in American Bourbon Casks that give it a desirably different flavor profile than other whiskies. With notes of vanilla and coconut, this is the perfect whiskey to enjoy outside.

Yamazaki Single Malt Sherry Cask Japanese

Frantjesko Laonora, lead bartender at Curaçao Marriott Beach Resort in Curaçao

Yamazaki Single Malt Sherry Cask Japanese Whisky is one of the few NAS whiskeys named “World’s Best Whisky” and offers fruity notes, fragrant sandalwood, and sweet coconut. It’s certainly a whisky where you get lost in the smell.

Booker’s Little Book Bourbon

Hayden Miller, head bartender at Bodega Taqueria y Tequila in Miami

Booker’s Little Book has consistently been worth anticipating year by year when they release the new blend. Always a variation of tasting notes but subtly different with each bottling.

Blanton’s Single Barrel Bourbon

Molly Safuto, bartender at Mila Rooftop Bar in Glendale, California

Blanton’s Single Barrel Bourbon, the first of it’s kind with a unique bottle design to represent to Colonel Blanton’s pioneer history. Sweet and citrusy with an accumulation of spices make this Bourbon a favorite for myself and even my parents.

Kaiyo The Peated Mizunara Oak Japanese Whisky

Crystal Chasse, beverage director at Talk Story Rooftop in Brooklyn, New York

I was first exposed to Kaiyo “The Peated” Mizunara Oak Japanese Whisky about a year ago and I am still obsessed. Aged in Mizunara Oak and Madeira Casks it has the perfect amount of smoke mixed with honeyed coconut and apple.

Elijah Craig Small Batch Bourbon

Andy Printy, beverage director at Chao Baan in St. Louis

Elijah Craig Small Batch may be the best whiskey on the market for the price. Lots of caramel and toffee throughout but assumes an unmistakable oak and butter on the finish. It’s the equivalent of eating a blondie in the whiskey world.

Glyph Molecular Whisky

Brendan Bartley, head bartender and beverage director at Bathtub Gin in New York City

A very controversial category in whiskey is molecular whiskey. One of my favorite “no age statement” whiskeys comes from that field. Glyph is the first molecular whiskey and I think they do an amazing job. I think it’s more the language that people have a hard time digesting the liquid. I’ve sold this whisky in the bar now for nearly two years. Every time I give someone a blind tasting, they love it. Once I reveal what it is, their faces drop.

Progress will change the way we view things and drink. What is a foreign idea to us now will be common in the years to come. It’s great whiskey and you should certainly give it a try — you might actually start loving science.

East London Single Malt Whisky

Max Stampa-Brown, beverage director at Borrachito in New York City

I was very fortunate to travel to London for a competition with the East London Liquor Company last year. Even more fortunate I got to try their London Single Malt Whisky ahead of its release to the masses. Tasted like hot cocoa and scones. Being the only American in the room I nervously said after my first sip, “is it too cliché for me to say this is quite biscuity.”

We had a really good night that night.

E.H. Taylor Straight Rye

Gavin Humes, bartender at Scratch | Bar & Restaurant in Encino, California

Go with the Colonel E.H. Taylor Straight Rye. It comes in at a hefty 100 proof but doesn’t read super-hot. In fact, it’s got some great vanilla, caramel, and even some peppery quality. The rye gives it a complexity that balances what is sometimes overly cloying in the case of some bourbons. Really a delicious product.

Writer’s Pick:

Lagavulin Distiller’s Edition Single Malt Scotch Whisky

While you’ll find many great whiskies from Lagavulin that do have age statements, Distiller’s Edition is so good, you won’t even wonder how long it’s been aged. It’s a great combination of sweet vanilla and caramel notes melding with herbal and smoky peat flavors.


FBI Seeking More Potential Victims In Jerry Harris Child Porn Investigation!




Feds are searching for more minors who may have been preyed on by Jerry Harris.

On Tuesday, the FBI launched a “Seeking Victim Information” webpage related to the investigation of the disgraced Cheer star, who was arrested last week on charges of producing child pornography, with agents in Chicago asking for any individuals under the age of 18 who may have been victimized by the 21-year-old to come forward.

As we reported, Harris is accused of allegedly enticing two underage teen boys to send him sexually explicit images of themselves, as well as asking them to meet up in person for sex — all when they were just 13 years old. Now, feds are seeking the public’s help in identifying any additional minors who may have been approached by Harris on Snapchat or Instagram and asked to produce or view explicit photos or engage in sexual activity.

Related: More Cheer Stars React To Jerry Harris’ Shocking Arrest

Harris admitted to soliciting child porn from at least 10 people he knew were minors, according to a criminal complaint filed last week. Court papers claim the cheerleader also admitted to having sex with a 15-year-old at a cheerleading event last year.

Only time will tell if more alleged victims will come forward. Read the FBI’s full statement and learn how you can contact them HERE.

[Image via Netflix/YouTube]

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‘Gull’ Director Kim Mi-jo on Sexual Assault and Changing Attitudes in South Korea




“Gull,” Kim Mi-jo’s poignant South Korean drama, follows a woman whose life becomes increasingly difficult when she seeks justice against the man who raped her.

The 61-year-old O-bok works as a seafood vendor in a Seoul street market that has been slated for redevelopment. One evening, after drinks with her colleagues, she is raped by Gi-taek, a fellow vendor and the powerful chairman of the redevelopment committee. After initially pretending that nothing happened, O-bok finally confides to her daughter and reports the assault to the police, resulting in an investigation that disrupts both her work and family life.

“Gull,” which won the Grand Prize for the Korean Competition at the recent Jeonju Film Festival, unspools in San Sebastian’s New Directors sidebar.

Speaking to Variety, Kim says she came up with the idea of the film after witnessing a young man and an older woman.

“One day, I was walking along the riverside at midday when I saw a young man closely following a middle-aged woman, who resembled my mother. I somehow felt anxious and kept an eye on them for a while. This experience inspired me immediately.”

While she initially conceived the plot from the point of view of the woman’s daughter, she eventually made O-bok the main character, played by Jeong Aehwa.

Jeong brought the right mix of vulnerability and toughness needed for the headstrong O-bok, Kim explained.

“I didn’t regard O-bok simply just as a victim, but rather I think she is more of a person who is aggressive and belligerent, like a fighter. There’s a saying in Korea that a ‘small pepper is much spicier.’ Ms. Jeong is really petite, but I love the high spirit and energy coming out of her.”

“Gull” critically examines aspects of South Korean society that are still common, Kim adds. O-bok is a victim who is forced to hide while making a sacrifice for the greater cause of the market and the good of the community. “Recently in Korea, it is commonly seen, not just in sexual assault cases, that assailants change into victims, or do not have to pay the price they deserve and live just like before. There are countless cases like this.”

Nevertheless, like in other parts of the world, sexual assault against women is being increasingly addressed, Kim points out. “In recent years, it has been more actively discussed following the MeToo movement. I’m gladly on board with pushfully bringing this issue to the table compared to the past. Also, more people are starting to be aware that sexual assault cannot be justified, whatsoever. Nevertheless, deep down, prejudice against victims of sexual violence still lingers around.”

She adds, “Seeing the woman as a contributor in sexual assault, or a bias that older women can’t be a target of sex crimes – these are typical examples.” In her research for the film, Kim came across manuals for parents of sexual assault victims or to help women in their 20s and 30s cope with sexual assault, but she adds that sex crimes against the middle-aged were not properly discussed.

That chauvinistic attitudes persist is made clear in the film by a main character who blames rape on the victim, saying that it could not happen unless the woman wanted it.

“I’ve actually heard that in real life,” Kim says. “I was awfully shocked at the time, so I used that line in my scenario. It is hard to say that these kinds of thoughts were not general until just a few years ago. However, as previously mentioned, Korean society is beginning to react sensitively to sexual abuse issues. Also, the social atmosphere in which these cases can’t be simply hushed up is gradually being established.”

While Kim says she didn’t set out to examine class differences in Korean society, she notes that “sadly this is what I have seen ever since I was little, so I think it just happened to be reflected in the movie. Classes exist everywhere, so I don’t regard it as a peculiar characteristic of Korean society. Of course, there are exceptions, but it is very easy to find powerless people’s voices being ignored when you look around a bit. So, it was rather natural to have those aspects in the film.”

That O-bok wants to fly away from her horrible situation but has to remain grounded in reality, like a seagull that flies high and far but ultimately cannot leave land, was one of the reasons behind the film’s title, Kim explains. “I didn’t want to simply narrate a sex crime victim’s story through this film. I wanted O-bok, a middle-aged woman, a mother and a breadwinner, to stand firmly with both feet and eventually survive and live here on land when her dignity had been infringed.”

Another reason was her love of Anton Chekhov’s “The Seagull”: “I wanted to title my first feature film with this work someday.”

For her next project, Kim is planning a mother and daughter revenge story. “I’m expecting to make a Korean-style film, a mixture of action, thriller and comedy.”

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See Sandra Oh and More Celebrities’ Fashion Statements at the Emmys




Whether it’s on or off the red carpet, fashion can absolutely make a statement.

Although the 2020 Emmys on Sept. 20 looked different this year because of the coronavirus pandemic, it didn’t stop celebrities from dressing to impress wherever they watched the virtual show.

One Hollywood star that stood out was Sandra Oh who made a statement about the Black Lives Matter movement thanks to her ensemble from Los Angeles based brand KORELIMITED.

The Killing Eve star sported a custom bomber jacket embroidered with symbols that honor both Black culture and Sandra’s own Korean heritage.

“It’s in a royal purple color–which is a super Korean color and brings a certain mindset for me,” Sandra explained to Vogue. “And it says ‘Black Lives Are Precious’ in Korean writing, because the literal translation of Black Lives Matter is impossible in Korean. The characters have to be read top to bottom, right to left, and there are dashes, or taegukgi, lifted from the Korean flag, which represent celestial bodies and the natural elements and all of that good stuff. And then on the right there’s a mugunghwa [hibiscus], the national flower of Korea.”

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