There’s really no bad season to read thrillers, but it’s especially enticing when the long, chilly nights of fall begin. That puts September’s best thriller and mystery reads at a bit of an advantage, because they’re arriving at just the right time to capitalize on those first long-awaited days of the season. Luckily for us, this month’s crop of mystery-fueled new releases are especially intriguing — there are domestic thrillers in the vein of Big Little Liars, a new mystery from J.D. Robb, and a buzzy genre debut from Alyssa Cole, who is best known for crafting passionate romances. The one thing all of September’s new thrillers have in common is that they’ll keep you up way past your bedtime as you try to unravel their deliciously twisty plots.
The Oscar nominations are in, and ‘Star Wars: The Rise of Skywalker’ is up for three awards. The movie itself has met with mixed reviews, with some pointing out the film’s vast number of plot holes and unexplained loose threads. In the age of the blockbusters, however, the spectacle can more than make up for weak writing when it comes to making it an Oscar-worthy experience.
‘Rise of Skywalker’ may win the ‘Star Wars’ franchise its first Oscar since ‘Return of the Jedi’ (1983). It’s been nominated in three categories – the Award for Best Visual Effects, Best Original Music Score, and Sound Editing, giving the ‘Star Wars’ franchise a new hope for an Oscar win after 40 years. While there were many fans who were disappointed by the ending to the nine-movie Skywalker saga, most agreed that it was an engrossing experience once the story was set aside. Where the movie’s writing was a mess, its focus on its more technical aspects was impeccable.
Of course, one would expect no less from composer John Williams, who has been bringing in Oscar nominations and one win for the ‘Star Wars’ franchise from its very first movie with ‘A New Hope.’ While ‘Star Wars’ as a franchise seems confused about what makes a good ‘Star Wars’ story, the ‘Star Wars’ aesthetic and style has maintained a certain consistency across all nine movies.
The Oscar nominations highlight the need for the Oscars’ many varied categories – not just for the vital recognition of the people who work so hard to make a film, but also to remind people that while certain aspects of a movie may be disappointing, there are aspects that can turn even the worst-written movie into an unforgettable experience.
The Oscar Awards ceremony will be held on February 9, 2020, at 6:30 pm EST.
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It’s been five years since James Corden took the reins of ‘The Late Late Show with James Corden’ — a late-night television talk show on CBS — and was soon buttoned-down as the happy-go-lucky dude on TV who relied more on celebrity cameos than clever humor. In a bombshell report, he may soon replace the face of TV host Ellen Degeneres’ late show following her “toxic workplace” scandal.
After being slammed as a “mean host”, she was accused of turning a blind eye to racism, bullying and sexual harassment on her hit daytime show. Even after her public apology, rumors are rife that she may quit the series and the staff at NBC has allegedly said that the 62-year-old may not have renewed the show before the latest controversy hit. A source told US Weekly, said: “Staffers are texting and calling each other freaking out as they fear Ellen [DeGeneres] will quit or that the show will be canceled. The show feels done. It’s going to be very hard to turn this around.”
According to The Sun, insiders at the show’s network say that Corden was seen as “the long term successor” to Ellen much before the outrageous reports of wrongdoing came into the public light.
Said to be a “huge fan of James”, NBC Entertainment Chairman Paul Telegdy has had him “‘high on his wanted list for talent and a long term replacement for Ellen,” a source told The Sun. “James Corden was being eyed for Ellen’s job in the long term before any of this came to light. This issue has fast-tracked everything and made everyone look at the future today,” the insider said. “Currently his CBS deal is only contracted until 2022 after he turned down a five-year deal.” What’s more, the source also called him a “natural fit” and “easy transition”.
With rumors flying around, the next big question that pops in most minds is: Is Corden any better than Ellen, or is he a rude TV show host too? A Twitter thread claims, he is “not nice” in real life. “I just searched “James Corden rude” and immediately found this TripAdvisor review of his show lol,” the tweet reads along with a screenshot about how he seemed to be “more annoyed than happy with his job” and the viewers also said he was “arrogant in real life but so much fun in front of the camera”.
That made us put our detective hat on and channel our inner Sherlock Holmes to get to the bottom of the case. On further inspection, we looked at the TripAdvisor Reviews from the show held at CBS Television City, Los Angeles, and found many more such reactions.
“We used to love James Corden until we went to see a taping of the show. He comes out and completely ignores the audience. He is definitely NOT the person he portrays on TV. Do not waste your time here. We did other tours and or TV shows and they were much better organized and the hosts interact and actually speak with the audience like we are human beings,” one 2017 comment read.
Another experience from March 2018 was described as: “Seriously, anyone who can’t see through this nonsense needs their head feeling. A very unfunny, untalented British guy putting on a dodgy American accent. We are all aware that these programs are scripted, but this is just an insult to your intelligence, and is a true sign of the times that talent is no clear indication for success, more right place right time or perhaps those who you know?”
One fan said that they were even forced to laugh at the jokes. “Went to the taping on 9/26. Was one of the last 5 picked. Decent experience. Could not hear much of James nor his guest that well. Jokes were OK but you are asked to laugh regardless. I always felt that James Corden was a people person, yet at the show felt different. Hardly any audience interaction. James appeared on stage and once done he left. Did not greet nor thank the fans which I was shocked. Overall decent,” the comment read.
Comparing Corden to Jimmy Kimmel, one said, “If you’re going to pick a show, the Kimmel experience is WAY better than Corden. This includes all the staff (Corden people just stood in line and talked among themselves while the Kimmel staff were friendly and chatted with everyone standing in line), the warm-up comedian, security people and anyone else involved. I know this is Hollywood/LA, but this show and the vibe is over the top superficial and stupid. Get over yourself.”
Ironically, one compared him to Ellen and said, “I am on a trip with my 20-year-old daughter and was excited to do a fun TV show together. James Corden and his staff should learn how to treat the people that keep him on TV. Do not bother with this terrible experience. I have been to Ellen and she knows how to do it properly. Learn a thing or two James. It was a disgrace!!!”
One viewer wrote: “The disappointing part was James Corden acted so annoyed to even be there, what a disappointment and shocking to us. We spent a total of 6 hours of our precious vacation time for the host to be annoyed and in my opinion disrespectful to the audience that was coached to act as if he was the greatest thing in the world. James forgot to reciprocate his thanks to his fans that have chosen to spend the time to attend his show, go to his movies and watch the Late Late Show. We had seen Bruno Mars the night before, he is such a professional that he made his huge audience feel welcomed and appreciated. The only thing James Corden will give you is the cold shoulder. The only mistake we made was not reading the reviews before we spent the time helping the Late Late Show appear to be a fun experience.”
Well, with so many comments, it’s clear that it’s not just one experience but many similar ones, isn’t it? If Corden replaces Ellen, will he turn out to be “mean host” part two?
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He’s a master class in how to play the game as a celebrity. Case in point: his Fast Times at Ridgemont High table-readperformance. Photo: CORE/YouTUbe
To succeed at celebrity is to master the art of image construction and management. It is to turn yourself into a brand in which performance is the method and the point. The step and repeat on the red carpet. The reaction to a seemingly impromptu paparazzi swarm. The interviews. The magazine covers. The charity events. It’s all in service of an image created, not born. Throughout the history of Hollywood, there have been figures who buckled against the weight of the personas they walked behind, like Errol Flynn and Lana Turner during the height of the studio system. There have been others whose image-making was so refined as to make it hard to tell where the real person began and the star ended, à la Archibald Leach, better known as the debonair Cary Grant. After the fall of the classic studio system in the 1960s, much changed in the imagination of what Hollywood could be. Chiefly, stars were free agents unwed to a single studio. But the tricksy, mercurial alchemy that goes into becoming and remaining a star endured. No one has proved more adept at playing this game lately than Brad Pitt.
In the wake of his contentious, ongoing divorce from Angelina Jolie — on the heels of their grand, volcanic romance that bloomed on the set of Mr. and Mrs. Smith, when he was still married to Jennifer Aniston, causing a tabloid obsession that continues to this day 15 years later — Pitt has played the celebrity game with slippery splendor. While Jolie has kept relatively quiet, Pitt has been more forward-facing. His star persona is that of the high-school quarterback: charismatic and beloved. (If anything, Hollywood at large comes across as a more knotted version of petty high-school politics anyway.) Pitt hasn’t played the game perfectly so much as invisibly — his relationship with his new 27-year old girlfriend, whom he took to the chateau he shared with Jolie, might read like a rote, midlife-crisis sort of scenario. And one of the most cunning turns in Pitt’s recent approach to his own image is to once again position himself in solidarity with his ex-wife, Jennifer Aniston, an alliance that bloomed during the 2019–2020 awards season, perhaps helping him nab an Academy Award for his supporting performance in Once Upon a Time in Hollywood. Now, in the middle of a pandemic, he’s sidling up to Aniston once more, for a recent Fast Times at Ridgemont High table read.
What better way to shore up goodwill than painting yourself as the breezy, charming man who easily spends time with an ex-wife — with whom people are still obsessively hold out hope you’ll reunite? “Hi, Aniston,” he croons. “Hi, Pitt” she replies before calling him “honey.” I could practically feel the heat index increase on Twitter in that moment. Personally, I have never been invested in the Pitt and Aniston relationship; I was far more intrigued by the sexual heat and emotional complexity between Pitt and Jolie. But the dynamic between Pitt and Aniston demonstrates the ways in which the personal can be leveraged for the professional for celebrities. And Pitt isn’t just good at it, he ranks as one of the best, a talent fully on display during this table read. He’s more than merely charming, he’s a supernova of lightning-bright presence. He’s more than willing to be silly and carefree, listening with full-bodied attention. It’s a way of being he’s mastered, that helps him to create indelible moments in celebrity history, like his suburban-themed photo shoot of curdled domestic bliss with Jolie in the pages of a 2005 issue of W magazineand now this video alongside Julia Roberts and Morgan Freeman. Pitt’s unique skill comes in how effortless he makes everything look, which takes his star image away from feeling studied and makes it seem natural. Every celebrity is playing the same game. But the ones who make it seem like they aren’t performing, and instead are speaking directly to us with some conspiratorial intimacy, are able to carve the kind of immortality actors dream of.