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The 35 Most Anticipated Movies of Fall 2020

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After half a year of delays and more delays, the film industry appears to be cautiously creaking back to life this fall. Many of the blockbusters that were supposed to arrive this summer, from Mulan to Wonder Woman 1984, are already or will soon be available; they’ll will be joined by a number of streaming dramas that hope to take advantage of a thinned-out awards race. Here’s when the most anticipated movies of fall 2020 are set arrive.

Also check out TIME’s most anticipated TV shows and books coming out this fall.

Robin’s Wish (Sept. 1 on-demand and digital)

Three months after Robin Williams died by suicide in 2014, doctors discovered that he had been suffering from Lewy body dementia, which causes a sharp decline in thinking and reasoning abilities. This documentary, created alongside his wife Susan Schneider-Williams, explores his final days, and the subsequent search for answers around his passing.

Tenet (Sept. 3 in theaters)

Originally scheduled to hit theaters on July 17, Christopher Nolan’s latest mind-bender faced a series of coronavirus-related delays before debuting internationally on August 26 ahead of a September 3 release in North America. The thriller stars John David Washington as an unnamed C.I.A. agent who embarks on a time-twisting mission to prevent the start of World War III alongside a mysterious new partner (Robert Pattinson). That’s all we’ll say for now, since, as Nolan purists will tell you, the less you know going in, the better.

Mulan (Sept. 4 on Disney+)

In the span of half a year, Mulan has turned from a surefire smash into a nerve-wracking experiment for Disney: will customers pay $30 on top of their Disney+ subscription to stream a war blockbuster that looks tailor-made for the big screen? (The movie will become free for subscribers in December.) Whether Niki Caro’s non-musical remake of the beloved 1998 animated Disney film succeeds in this new environment could set the tone for how movies are released in the coming months. Liu Yifei stars as the titular warrior and is flanked by Donnie Yen and Jet Li.

Read More: The Controversial Origins of the Story Behind Mulan

i’m thinking of ending things (Sept. 4 on Netflix)

With scream queen Toni Collette playing the seemingly unhinged mother of master onscreen sociopath Jesse Plemons, Netflix’s new psychological thriller has all the trappings of a can’t-miss horror hit. Written and directed by Academy Award winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind), i’m thinking of ending things follows a young woman (Jessie Buckley, literally credited as Young Woman) who begins to have second thoughts about her relationship with her new boyfriend (Plemons) after embarking on a snowy road trip to his parents’ remote farmhouse. Judging by the acclaimed 2016 Iain Reid novel on which it’s based, the metaphysical fright flick suggests a chilling exploration of identity, memory and the fabric of reality itself.

Read More: I’m Thinking of Ending Things May Be Based on a Novel, But It’s All About Charlie Kaufman

Cuties (Sept. 9 on Netflix)

In August, this low-budget French awards-season hopeful got the worst kind of attention: a widespread cancellation campaign, after Netflix released a promotional poster and trailer that many deemed sexually exploitative of underage girls. Netflix apologized—and many who saw the film at its Sundance Film Festival premiere say that the ad campaign did not reflect the film’s nuanced handling of its young subjects. Well-received upon its release in France, the film follows an 11-year-old Senegalese Muslim girl, growing up in a poor area of Paris, who becomes intrigued by a group of young dancers in her neighborhood.

Read More: ‘This Film Is Sounding an Alarm.’ What Cuties Director Maïmouna Doucouré Wants Critics to Know About Her New Film

The Devil All the Time (Sept. 16 on Netflix)

Spanning the 20-some years between World War II and America’s entry into Vietnam, Netflix’s highly-anticipated Midwestern gothic thriller from Antonio Campos, based on Donald Ray Pollock’s 2011 novel of the same name, follows a sprawling cast of characters living in the Bible-thumping southern Ohio town of Knockemstiff and its neighboring backwoods. At the center of it all is young Arvin Russell (Tom Holland), a good Christian boy who begins to suspect the new traveling preacher in town (Robert Pattinson) of sinister motives. A stellar cast also includes Riley Keough, Jason Clarke, Sebastian Stan, Haley Bennett and Mia Wasikowska.

Blackbird (Sept. 18 on-demand and digital)

After deciding to end her battle with ALS on her own terms, terminally ill matriarch Lily (Susan Sarandon) gathers three generations of her family for a farewell weekend in Roger Michell’s (Notting Hill, My Cousin Rachel) remake of the 2014 Danish film Silent Heart. The star-studded tearjerker, which boasts Kate Winslet and Mia Wasikowska as Lily’s daughters and Sam Neill as her husband, premiered to mixed reviews at the 2019 Toronto International Film Festival, with critics calling it both a “quality enterprise with numerous rewards for adult audiences” and a “lifeless death drama.”

Antebellum (Sept. 18 on-demand)

From the producers of Get Out and Us comes a social thriller about the state of race relations in America, which casts Janelle Monáe in the dual roles of a successful modern-day author and a woman enslaved on a plantation in what appears to be the pre-Civil War South. Jena Malone, Jack Huston, Kiersey Clemons and Gabourey Sidibe also star in writer-director duo Gerard Bush and Christopher Renz’s first feature.

Kajillionaire (Sept. 25 in theaters)

Acclaimed independent filmmaker Miranda July (Me and You and Everyone We Know, The Future) paints a captivating portrait of a dysfunctional family of scammers in this heist satire. Evan Rachel Wood stars as Old Dolio, the oddly-named daughter of small-time con artists Theresa (Debra Winger) and Robert (Richard Jenkins) whose life is thrown for a loop by a chance meeting with a kind stranger (Gina Rodriguez).

Enola Holmes (Sept. 23 on Netflix)

Millie Bobby Brown is one of Netflix’s brightest stars as Eleven in Stranger Things. She partners with the platform again for a starring film role as Sherlock Holmes’ little sister, Enola. Based on the books by Nancy Springer, the movie follows Enola after her mother (Helena Bonham Carter) disappears, her famous brother declines to help, and the young novice decides to take on the case herself.

Agents of Chaos (Sept. 23 on HBO and HBO Max)

The documentarian Alex Gibney has previously burrowed into Silicon Valley, Scientology, and Enron. His newest feature investigates the Russian hacking of the 2016 election. He probes into Russian troll farms and the deep web, and talks to Americans who became caught up in Putin’s plot as well.

The Glorias (Sept. 30 on digital and Amazon Prime Video)

Following Rose Byrne’s turn as Gloria Steinem in Hulu’s Emmy-nominated Mrs. America earlier this year, Academy Award winners Alicia Vikander and Julianne Moore take up the mantle of the face of the women’s liberation movement in a new biopic from Julie Taymor (Frida, Across the Universe). Based on Steinem’s own memoir, My Life on the Road, The Glorias follows Steinem from her girlhood in 1940s Ohio through her rise to national fame as a feminist leader—alongside contemporaries like Dorothy Pitman Hughes (Janelle Monáe), Flo Kennedy (Lorraine Toussaint), Bella Abzug (Bette Midler), Dolores Huerta (Monica Sanchez) and Wilma Mankiller (Kimberly Guerrero)— in the ’60s and ’70s, and beyond.

The Boys in the Band (Sept. 30 on Netflix)

The Tony-winning cast of the 2018 revival of Mart Crowley’s landmark play reunites for a Ryan Murphy-produced Netflix adaptation directed by Joe Mantello. Jim Parsons stars as Michael, a boozy screenwriter who invites a group of his closest gay friends (played by Matt Bomer, Andrew Rannells, Tuc Watkins, Michael Benjamin Washington and Robin de Jesús)—along with a hapless hustler (Charlie Carver)—to his apartment for their buddy Harold’s (Zachary Quinto) birthday party in 1968 New York. Things quickly go off the rails when Michael’s straight college roommate (Brian Hutchison) also shows up.

On the Rocks (October on Apple TV+)

It’s been 17 years since actor Bill Murray and director Sofia Coppola teamed up for the widely revered Lost in Translation. In their reunion On the Rocks, Murray plays the charming and inquisitive father of Laura (Rashida Jones), who suspects her husband of having an affair.

Wonder Woman 1984 (Oct. 2 in theaters)

Set 66 years after the WWI-era events of 2017’s Wonder Woman, Patty Jenkins’ second DC Extended Universe offering sends Diana Prince (Gal Gadot) on an action-packed ’80s adventure. Keep an eye out for Chris Pine’s not-so-long-lost Steve Trevor, who’s also returning, as well as Kristen Wiig and Pedro Pascal, who’re joining the fun as Cheetah, a friend-turned-foe with the ability to transform into a human-cheetah hybrid, and the villainous Max Lord, respectively.

Read More: Wonder Woman Breaks Through

Once Upon a River (Oct. 2 in virtual cinemas)

The lone man on the river has long loomed large in the American mythos, from Paul Bunyan to Huckleberry Finn to the stories of Ernest Hemingway. This time, in a film based on the novel by Bonnie Jo Campbell, it’s a woman who makes her way downstream: Margo Crane (Kenadi DelaCerna), a Native American teenager who is forced to fend for herself after the death of her father. Wielding a gun and plenty of survival skills, Margo explores the Michigan woods in search of her estranged mother and a place where she belongs.

The Forty-Year-Old Version (Oct. 9 on Netflix)

Writer-director Radha Blank makes her feature debut with a semi-autobigoraphical comedy about a burnt-out New York playwright (played by Blank) who turns to rap to rediscover her voice as she turns 40. “It’s my love letter to NY and its struggling artists as well as the NY artistic institutions that raised me – Hip Hop and Theater,” Blank said of the black-and-white Sundance standout.

Time (Oct. 9 in theaters, Oct. 23 on Amazon Prime Video)

Garrett Bradley won best director for U.S. documentary at Sundance for this film, a damning portrait of the American prison-industrial complex. The film follows a woman’s tireless two-decade fight to free her husband from a 60-year prison sentence.

Candyman (Oct. 16 in theaters)

Billed as a “spiritual sequel” to Bernard Rose’s 1992 cult classic, Candyman takes horror fans back to the site of the titular bogeyman’s original murders for a slasher that tackles issues of race and class in America. The Nia DaCosta-directed reboot, which was written by DaCosta, Jordan Peele and Win Rosenfeld, stars Yahya Abdul-Mateen II as an artist who inadvertently reawakens the spirit of Tony Todd’s hook-handed killer and sets off a new wave of violence in Chicago’s now-gentrified Cabrini-Green neighborhood.

The Trial of the Chicago 7 (Oct. 16 on Netflix)

Sacha Baron Cohen, right, plays Abbie Hoffman in The Trial of the Chicago 7.

Sacha Baron Cohen, right, plays Abbie Hoffman in The Trial of the Chicago 7.

NIKO TAVERNISE/NETFLIX—© 2020 Netflix, Inc

Many have drawn a connection between the social unrest of 2020 and that of 1968, when Vietnam War protesters stormed the streets the summer before a pivotal election. Aaron Sorkin’s latest drama depicts the tension that summer in Chicago at the Democratic National Convention, when police attacked protesters and charged a group of organizers with conspiracy to incite a riot. Sacha Baron Cohen, Eddie Redmayne, and Yahya Abdul-Mateen II star.

The French Dispatch (Oct. 16 in theaters)

In his much-anticipated 10th feature, writer-director Wes Anderson brings to life three unique stories from the final issue of the film’s titular New Yorker-inspired magazine, an American weekly published in the fictional 20th-century French city of Ennui-sur-Blasé. The ensemble dramedy, Anderson’s first true anthology film, is star-studded as ever, with notable newcomers Timothée Chalamet, Benicio del Toro, Elisabeth Moss and Jeffrey Wright joining returning regulars like Bill Murray, Owen Wilson, Adrien Brody, Tilda Swinton and Frances McDormand.

American Utopia (Oct. 17 on HBO and HBO Max)

David Byrne, the onetime frontman of the Talking Heads, has proved himself time and time again an electric, inimitable live performer with his quavering tenor and skittish dance moves—most recently in his Broadway show American Utopia, a powerhouse concert of new and classic songs. On The Late Show with Stephen Colbert and Saturday Night Live, he’s proved that his unique act converts well onto the small screen—and now audiences get to take in a recording of the Broadway show in full.

Rebecca (Oct. 21 on Netflix)

Fans of Daphne du Maurier’s classic novel who have dreamed of going to Manderley again are finally getting their wish. The forthcoming Netflix remake sees Lily James take the lead as du Maurier’s unnamed narrator, the new bride of wealthy widower Maxim de Winter (Armie Hammer) who can’t seem to shake the feeling that her husband’s late first wife is still present at his eerie English estate. Of course, Ben Wheatley’s (High Rise, Free Fire) take on the gothic thriller has big shoes to fill considering Alfred Hitchcock’s 1940 adaptation, starring Laurence Olivier and Joan Fontaine, won the Academy Award for Best Picture.

Over the Moon (Oct. 23 on Netflix)

Based on the Chinese legend of the Moon Goddess Chang’e, this family-friendly animated film centers on Fei Fei, a young girl who dreams of going to the moon to reunite with her lost mother. Sandra Oh, John Cho, Ken Jeong and other Asian-American stars serve as voice actors; the late Audrey Wells, who died of cancer in 2018, wrote the script, while Glen Keane, a Disney Animation mainstay, makes his full-length directorial debut.

Those Who Wish Me Dead (Oct. 23 in theaters)

In this adaptation of bestselling author Michael Koryta’s 2014 novel, Angelina Jolie stars as a survival expert tasked with protecting a teenage murder witness from a pair of killers hunting him through the Montana wilderness—all while a raging forest fire wreaks havoc on the landscape. Nicholas Hoult, Jon Bernthal, Tyler Perry, Finn Little and Aidan Gillen also star in the thriller from director Taylor Sheridan (Wind River).

Death on the Nile (Oct. 23 in theaters)

Following the success of 2017’s Murder on the Orient Express, Kenneth Branagh reprises his role as famed Belgian detective Hercule Poirot in his second adaptation of a classic Agatha Christie whodunit. This time around, Branagh’s mustachioed investigator is charged with solving the murder of a young heiress (Gal Gadot) aboard a cruise ship on the Nile.

Bad Hair (Oct. 23 on Hulu)

This Sundance horror-comedy from Justin Simien (Dear White People) centers on a demonic weave and finds laughs and scares in the plight of Black women regarding the various pressures and judgments surrounding their hair. The cast includes Elle Lorraine, Lena Waithe, Blair Underwood and Jay Pharoah.

Read More: Dear White People Creator Justin Simien on ‘Navigating Other People’s Guilt’

Connected (Oct. 23 in theaters)

Phil Lord and Christopher Miller are responsible—as either writers, directors or producers—for several smash-hit kids’ movies over the last decade, including Cloudy With a Chance of Meatballs, The Lego Movie series and Spider-Man: Into the Spider-Verse. They are producers on this Sony Pictures Animation film about a squabbling family on a road trip who find themselves in the position of saving the world. The voice actors include Abbi Jacobson, Danny McBride and Maya Rudolph.

Black Widow (Nov. 6 in theaters)

Before she became an Avenger, Natasha Romanov’s work as a Russian spy landed her in hot water with some bad people. Scarlett Johansson reprises her role as Black Widow for an origin story directed by Cate Shortland that casts Florence Pugh, Rachel Weisz and David Harbour as the superhero’s equally lethal “family.” Set after the events of Captain America: Civil War, this is the first installment in Phase Four of the Marvel Cinematic Universe and the franchise’s 24th film overall.

Read More: Breaking Down the First Black Widow Trailer

Ammonite (Nov. 13 in theaters)

After famed British fossil hunter Mary Anning (Kate Winslet) reluctantly takes on a new apprentice (Saorise Ronan) to work beside her on the shores of 1840s England, the two begin a passionate love affair that changes both their lives forever. This romantic period drama is the latest from God’s Own Country writer-director Francis Lee.

The Climb (Nov. 13 in theaters)

This buddy comedy was well-reviewed out of the Cannes Film Festival last Spring, with Nick Allen of RogerEbert.com calling it “thrilling and charming in a way that very few comedies ever are.” Michael Angelo Covino directs and stars in the film as Mike, whose bond with his best friend Kyle is put through the ringer due to romantic entanglements.

No Time To Die (Nov. 20 in theaters)

Daniel Craig will play James Bond for the fifth and final time in this film, which is directed by Cary Joji Fukunaga (Beasts of No Nation, Maniac) and includes screenwriting from Phoebe Waller-Bridge. The franchise adds some intriguing new faces—Ana de Armas, who previously partnered with Craig in Knives Out—Rami Malek, who plays the menacing villain Safin, and Lashana Lynch, who will take on the mantle of 007.

Read More: Lashana Lynch is Reportedly the Next 007. Here’s How the New James Bond Movie Can Do Right by Her

Soul (Nov. 20 in theaters)

Pixar has sent its protagonists deep into the ocean (Finding Nemo), space (Wall-E) and the underworld (Coco). Its fantastical next destination is The Great Before, the place where new souls are formed before birth. Jamie Foxx voices Joe, Pixar’s first Black protagonist, who is unwittingly sent there before a pivotal band gig and embarks on a journey to return to his life. Jon Batiste wrote original music for the soundtrack; Phylicia Rashad, Angela Bassett, Questlove, and Daveed Diggs lend their voices.

Happiest Season (Nov. 25 in theaters)

In this holiday rom-com from writer-director Clea DuVall (whom Veep fans know as Marjorie), Kristen Stewart and Mackenzie Davis play girlfriends on the verge of engagement, with conservative parents standing in their way. Mary Steenburgen, Alison Brie and Aubrey Plaza co-star.

Mank (TBA on Netflix)

Gary Oldman in 'Mank'

Gary Oldman in ‘Mank’

Netflix

Award-winning director David Fincher (Gone Girl, The Social Network) turns his camera on 1930s Hollywood for a biographical drama about journalist-turned-screenwriter Herman J. Mankiewicz and his battle with Orson Welles over screenplay credit for Citizen Kane. Gary Oldman stars as Mankiewicz alongside Tom Burke as Welles, Amanda Seyfried as Marion Davies, Lily Collins as Rita Alexander, and Tom Pelphrey as Mank’s brother in the black-and-white Netflix drama.

Write to Megan McCluskey at megan.mccluskey@time.com.

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Disney Plus Mulan Fails to Make an Impact

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Disney Plus’s most anticipated movie of the year was Live-Action Mulan, the infamous remake of the 1998 version of the Disney classic Mulan. With a budget of almost $200 million and alot of hard work involved, the film release’s expectations and excitement were at an all-time high. Disney’s marketing team left no stone unturned in promoting the film throughout the world as Mulan was one of the most influential female protagonists in a Disney movie. 

Mulan was known for her power and courage to take a step towards change and create a name for herself instead of becoming a burden for her family. She brought them honor but not through finding a compatible suitor, but through her bravery in fighting amongst the opposite gender when it was considered a taboo. 

But did the real Mulan walk in the footsteps of the animated one? Did it create an impact as strong as the classic version, which people love and adore even after 23 years? Sadly, no. The live-Action Mulan was nothing like the 1998 Mulan because it was not supposed to be that way. 

The old Chinese folklore inspired the Live-Action Mulan. The Balad of Mulan, which was different, more serious, and portrayed a much more feminist approach by eliminating any romantic or cartoonish elements or characters from the remake. 

The elimination of the character of Mushu came as a surprise for all the die-hard Mulan fans who were anticipating the voice-over of Eddie Murphy in a better-animated dragon who is by Mulan’s side, aiding in tough times. We did see a dragon, but it was a silent companion only coming in need. The remake also got rid of all the eventful songs which were hummed as we watched the animated version all the time.

Another setback was the mediocre release of Mulan during the Pandemic, which basically ruined the official March release. Mulan eventually made the screen on September 4 on Disney+ Premier Access, a pay-to-view for $30 across the US. In contrast, countries where Covid-19 was under control, saw a theater release like China. But that hardly made 50% of the total movie budget. Disney hoped to make some dollars in China by accurately depicting the Chinese culture and actors, but that didn’t happen either. 

Viewers with access to Disney+ also did not venture enough on the Premier Access service. What further disappointed the release was Mulan’s availability on multiple torrents and platforms for free in HD quality on its release. VPN users worldwide watched the movie for free without paying a whopping amount of $30 for a single film, while the whole service along with other streaming services cost ⅓ of the price. 

Live-Action Mulan was also under scrutiny for shooting in the Xinjiang, the region of China where Uighur Muslims were detained and imprisoned in concentration camps. This sparked outrage over the entire social media, where Muslims worldwide protested against the Chinese government’s actions. Disney+ did not state an official apology on their platform, nor did they acknowledge their wrongdoings, probably to stay clear of the Chinese government’s atrocity. 

Meanwhile, even within China, Mulan failed to impact the Chinese audience as they have a much better take and approach to recreating any Chinese epic or myths. Their cinema is far more advanced in portraying their culture with local actors and a local production house. As we all know, China has a strict censorship policy on international content, and they have an alternate of their own. It applies here as well. 

Lastly, the ill-natured tweet of the lead actress Liu Yifei, openly supporting the Hong Kong Police’s atrocities when China was implementing new security policies on Hong Kong, claiming it as a part of the Chinese government. The Hong Kong police came under fire for mistreating peaceful protestors and using harsh means to disperse the crowd. This tweet leads to #boycottmulan across the regions of Taiwan, Hong Kong, and Thailand. 

Liu Yifei made no outright apology. 

Despite so much anticipation, live-action Mulan came under alot of controversy and failed to make a solid impression on the audience, despite holding a strong message for its feminist audience. Wrong timing and a few wrong decisions cost Disney millions of dollars and somewhat tarnished the reputation of their remake sagas. 

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5 Underrated Shows on Netflix USA You Must Watch Right Now!

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American Netflix is home to hundreds of TV shows across multiple genres. Still, it could be hard at times to find something binge-worthy on it. Now we all have that one friend that’s perfectly content with re-watching their favorite TV series, but the rest of us normies find it a tad boring. We’re on a never-ending hunt for the next big show hoping to inject some excitement into our otherwise mundane existence. However, with so much to choose from, it’s only natural that a few gems go unnoticed when scrolling through the recommendations. 

Don’t sweat it! After spending endless hours of research, we’ve compiled a list of the top 5 underrated shows on Netflix USA that are definitely worth your time.

Can’t access US Netflix in your home country? There is an easy way around. Just download a Netflix VPN, connect to a US server, and start streaming. 

  1. 1994

Genre: Documentary

Season(s): 1 season; 5 episodes

Year of release: 2019

1994 is a modest 5-episode docu-series offering the perfect guilt-free, binge-watching experience. The show revolves around a promising presidential candidate in Mexico who stands to threaten the status quo. Seen as a threat by the powerful elite, he gets shot during one of his televised political rallies. If the events of the first episode seem unusual, then what follows is downright bizarre. 

Viewers are in store for surreal events backed by actual interviews and real-life footage that ups the ante with each passing episode. 1994 is a fascinating, informative, and rich account of one of the most turbulent times in Mexico. It not only gives viewers a glimpse of the past but also a story that follows a narrative very close to what we’re seeing in our present political climate.

  1. Rise of Empires: Ottoman

Genre: Drama

Season(s): 1 season; 6 episodes

Year of release: 2020

Following the wildly popular show Ertugrul—at least in the eastern part of the world—Rise of Empires: Ottoman features a historic mix of immaculate production value and dramatic re-enactment of the 1453 fall of Constantinople. A Turkish production, the show is entirely in English and revolves around the life of a young Ottoman Sultan named Mehmet. It shows how the 21-year old leader risks everything to conquer a city his father and so many others failed to take before him.

This point marked a crucial juncture in history: The fall of the Roman Empire and the transition of a local regional entity to that of a global superpower. While the show does have its set of drawbacks (such as the frequent History Channel-type flashbacks), the appeal of our protagonist is sure to have viewers in for a memorable ride. 

  1. Wild Wild Country

Genre: Documentary

Season(s): 1 season; 6 episodes

Year of release: 2018

The mere mention of Wild Wild Country in front of veteran Netflix viewers is sure to garner you some respect points. Based on a true story, Wild Wild Country tells the tale of an Indian cult that’s decided to relocate to Oregon. What ensues is a series of unusual events as the locals struggle to come to terms with the new inhabits and in particular, the eccentric leader of this cult: Bhagwan. This mini-series manages to capture and re-tell a significant—albeit unusual—event in American history and media and retell it in a way that’s sure to leave some viewers scratching their heads!

  1. Lenox Hill

Genre: Documentary

Season(s): 1 season; 9 episodes

Year of release: 2020

For those looking to embark on a roller-coaster ride of emotions, look no further than Lenox Hill. While we do recommend this docu-series especially if you’re a fan of Grey’s Anatomy or ER, Lenox Hill is not your average watch. It’s a far cry from what you’d call a feel-good series as it reveals the brutal reality associated with people diagnosed with really bad things.

Set in New York, the show follows the story of an ER physician, an OB-GYN, and two brain surgeons that are part of a small-time hospital competing with bigger establishments. It lifts the curtain from the otherwise romanticized emergency-ward that we’ve grown accustomed to and accurately depicts the struggles of both patients and doctors.

This highly emotional series might not sit well with everyone but if you want to watch a story about individuals that sacrifice everything to save others then this one’s for you.

  1. Borderline

Genre: Comedy

Season(s): 2 seasons; 12 episodes

Year of release: 2016

The Office is the most viewed show on Netflix according to Chicago Tribune which is a pity because its contract is set to expire on January 1, 2021. Enter Borderline, a British comedy series and ‘mockumentary’ of sorts that follows a similar pattern and humor as The Office. Set in the fictional Northend Airport instead of an office, viewers are quickly introduced to a slew of funny and ridiculous personalities.

The best part of the series is that it has its own version of Pam, Dwight, Jim, and a Michael type-boss. It also doesn’t try too hard to resemble its more popular counterpart and a few episodes are enough to make you wonder why more people aren’t watching it!

Agree with our list? Know of some underrated shows that need more love? Let us know in the comments section below!

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The Advantages of Online Casino Welcome Bonuses

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When it comes to online gambling, the industry is thriving in 2020. Although casinos are banned in many countries, people still find ways to enjoy their favorite games of chance. However, considering the level of competition on the market, it may be difficult for a beginner to find a good online platform and take advantage of all offers. In this article, you will learn the benefits of casinos’ welcome bonuses.

What Is a Sign-Up Bonus?

As we have already established, the industry is growing rapidly and companies are desperately looking for new ways to attract customers. A welcome bonus is often used by online casinos to get new leads and players in the future. However, the best casino bonuses can be easily used to the player’s advantage. Here are the main reasons you should not neglect this offer.

  1. It saves your money

Quite obvious, right? Well, this is the main reason why you should always use welcome bonuses in online gambling: it is always better to not risk your own money. It is especially true for beginners. Since they have no experience, it is fairly common for beginners to lose their initial investment and be done with gambling for good. However, if you use your welcome bonus as a way of getting the basics skills, the chances of success will rise significantly.

  1. It allows you to try several games

Another common issue beginners face is a lack of understanding of which types of games they want to try: slots, roulette, baccarat, blackjack, etc. If you use your sign-up bonus, you will be able to play several games and choose the ones you like better. Moreover, you can take advantage of a welcome bonus on several online gambling platforms. That way you will try out even more options.

  1. It will make future gambling more profitable

Besides beneficial sign-up bonuses, good online casinos usually have great loyalty programs. For instance, the company may double up to five first deposits on the platform. If you invest 100 USD, you will get 200 USD to your account. More money — more games — more chances of winning.

Although a welcome bonus is a great way of upping your gambling game, there are a few things you should pay attention to. Firstly, a good bonus does not equal a good platform. Before choosing a casino, make sure that the company is legal and trustworthy. Since there are many scams right now, it is essential if you want to save your money. Moreover, check the available deposit/withdrawal methods and their terms.

We hope that this article has shown the true power of online casinos’ welcome bonuses and how you can use them to your own advantage. Follow our tips while choosing a platform and enjoy the best gambling experience.

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